![]() It takes the form of a sturdy, dark blue, anodised aluminium chassis, sporting three multi‑use footswitches, 16 buttons and 10 knobs. The high build quality of the hardware is what we’ve come to expect of Strymon. But even these, which are found on all Strymon’s pedals, are only a couple of button presses away. That said, it’s well worth consulting the manual to discover the less obvious secondary functions. In fact, almost every parameter can be tweaked from the top‑panel controls, which are a joy to operate and are spaced adequately for larger hands. Mercifully, then, operating the most commonly used functions doesn’t involve any menu diving. With three distinct reverb processing cores, real‑time processing of pitch, harmonics, shimmer, modulation, overdrive, a synth‑like resonance filter and a sequencer, this is a pedal that’s packed full of features. Strymon have dubbed their new NightSky the ‘Reverberant Synthesis Machine’ and it’s easy to both see and hear why. With patch‑morphing and a built‑in step sequencer, the NightSky is no ordinary reverb unit.
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